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The Roundel Material Table celebrates circular shapes in a number of ways, including with the form of the top and the three different discs into which it is divided, which can be made with a range of colours and/or materials in order to mark out separate areas of use. With its highly sculpturesque qualities, Roundel is almost like a piece of pottery and it can be used in extremely democratic arrangements and layouts because round tables present no sense of hierarchy and they facilitate maximum eye contact between all of the people sitting around them. The Roundel Material Table and Roundel Glass Table was designed by Claesson Koivisto Rune in 2018 and is produced by Baleri Italia.  

CLAESSON KOIVISTO RUNE

The Swedish architects and designers Mårten Claesson, Eero Koivisto and Ola Rune opened their firm in Stockholm in 1995. Projects carried out by the multi-award winning studio include the Inde/Jacobs gallery in Texas, the Nobis Hotel and Hotel Skeppsholmen in Stockholm, some of the unique De Bergenske Group hotels in Bergen, the Sfera Building in Kyoto, Tind prefabricated houses and a number of private homes in Sweden and other countries. Works by Claesson Koivisto Rune also represented Sweden at the Venice Architecture Biennale. They have worked as designers with names such as Arflex, Cappellini, Fontana Arte, Kasthall, Living Divani, Marsotto Edizioni, Nikari, Offecct, Paola Lenti, Swedese, Tacchini, and Wästberg. Their projects have earned them all sorts of accolades, including Designer of the Year 2011 and 2014 from Elle Décor Italia, Red Dot “Best of the Best” in 2014 and The Bruno Mathsson Prize in 2015.

BALERI ITALIA

Baleri Italia, founded by Enrico Baleri and Marilisa Decimo in 1984, is the iconic brand of the 20th Century the years of sobriety and rigor of forms/functions, the ultimate expression of a certain pragmatic and unattainable design idea; in pursuit of the perfect, non-obsolete, non-flashy, consistent and international object. Evergreen objects and collections, signed by great masters and newcomers who then became the references in terms of style, giving life to a classical-contemporary universe that now has found its vitality, production, communication and commercial strength.

Roundel Material Table

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The Roundel Material Table celebrates circular shapes in a number of ways, including with the form of the top and the three different discs into which it is divided, which can be made with a range of colours and/or materials in order to mark out separate areas of use. With its highly sculpturesque qualities, Roundel is almost like a piece of pottery and it can be used in extremely democratic arrangements and layouts because round tables present no sense of hierarchy and they facilitate maximum eye contact between all of the people sitting around them. The Roundel Material Table and Roundel Glass Table was designed by Claesson Koivisto Rune in 2018 and is produced by Baleri Italia.  

CLAESSON KOIVISTO RUNE

The Swedish architects and designers Mårten Claesson, Eero Koivisto and Ola Rune opened their firm in Stockholm in 1995. Projects carried out by the multi-award winning studio include the Inde/Jacobs gallery in Texas, the Nobis Hotel and Hotel Skeppsholmen in Stockholm, some of the unique De Bergenske Group hotels in Bergen, the Sfera Building in Kyoto, Tind prefabricated houses and a number of private homes in Sweden and other countries. Works by Claesson Koivisto Rune also represented Sweden at the Venice Architecture Biennale. They have worked as designers with names such as Arflex, Cappellini, Fontana Arte, Kasthall, Living Divani, Marsotto Edizioni, Nikari, Offecct, Paola Lenti, Swedese, Tacchini, and Wästberg. Their projects have earned them all sorts of accolades, including Designer of the Year 2011 and 2014 from Elle Décor Italia, Red Dot “Best of the Best” in 2014 and The Bruno Mathsson Prize in 2015.

BALERI ITALIA

Baleri Italia, founded by Enrico Baleri and Marilisa Decimo in 1984, is the iconic brand of the 20th Century the years of sobriety and rigor of forms/functions, the ultimate expression of a certain pragmatic and unattainable design idea; in pursuit of the perfect, non-obsolete, non-flashy, consistent and international object. Evergreen objects and collections, signed by great masters and newcomers who then became the references in terms of style, giving life to a classical-contemporary universe that now has found its vitality, production, communication and commercial strength.